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  We all looked at each other, then down at the dog.

  Lisa roasted the dog on a spit, over burning plastics and petroleum skimmed from the ocean. It tasted okay, but in the end it was hard to understand the big deal. I've eaten slagged centaur that tasted better.

  Afterward, we walked along the shoreline. Opalescent waves crashed and roared up the sand, leaving jewel slicks as they receded and the Sun sank red in the distance.

  Without the dog, we could really enjoy the beach. We didn't have to worry about whether it was going to step in acid, or tangle in barbwire half-buried in the sand, or eat something that would keep it up vomiting half the night.

  Still, I remember when the dog licked my face and hauled its shaggy bulk onto my bed, and I remember its warm breathing beside me, and sometimes, I miss it.

  Bread and Bombs

  By M. Rickert

  Mary Rickert's stories have been appearing regularly in The Magazine of Fantasy & Science Fiction for several years, starting in 1999 with her first publication, "The Girl Who Ate Butterflies." Her work has also appeared in SCI FICTION and the anthology Feeling Very Strange, and has been nominated for the Nebula Award. Her collection, Map of Dreams, won the William L. Crawford Award for best first book-length work of fantasy.

  Rickert says that she wrote this story in response to news reports concerning food packages being dropped in Afghanistan which were wrapped in the same color packaging as bombs—which detonated when picked up by hungry children. Many authors have been moved to write 9/11 stories; this is Rickert's.

  The strange children of the Manmensvitzender family did not go to school so we only knew they had moved into the old house on the hill because Bobby had watched them move in with their strange assortment of rocking chairs and goats. We couldn't imagine how anyone would live there, where the windows were all broken and the yard was thorny with brambles. For a while we expected to see the children, two daughters who, Bobby said, had hair like smoke and eyes like black olives, at school. But they never came.

  We were in the fourth grade, that age that seems like waking from a long slumber into the world the adults imposed, streets we weren't allowed to cross, things we weren't allowed to say, and crossing them, and saying them. The mysterious Manmensvitzender children were just another in a series of revelations that year, including the much more exciting (and sometimes disturbing) evolution of our bodies. Our parents, without exception, had raised us with this subject so thoroughly explored that Lisa Bitten knew how to say vagina before she knew her address and Ralph Linster delivered his little brother, Petey, when his mother went into labor one night when it suddenly started snowing before his father could get home. But the real significance of this information didn't start to sink in until that year. We were waking to the wonders of the world and the body; the strange realizations that a friend was cute, or stinky, or picked her nose, or was fat, or wore dirty underpants, or had eyes that didn't blink when he looked at you real close and all of a sudden you felt like blushing.

  When the crab apple tree blossomed a brilliant pink, buzzing with honey bees, and our teacher, Mrs. Graymoore, looked out the window and sighed, we passed notes across the rows and made wild plans for the school picnic, how we would ambush her with water balloons and throw pies at the principal. Of course none of this happened. Only Trina Needles was disappointed because she really believed it would but she still wore bows in her hair and secretly sucked her thumb and was nothing but a big baby.

  Released into summer we ran home or biked home shouting for joy and escape and then began doing everything we could think of, all those things we'd imagined doing while Mrs. Graymoore sighed at the crab apple tree which had already lost its brilliance and once again looked ordinary. We threw balls, rode bikes, rolled skateboards down the driveway, picked flowers, fought, made up, and it was still hours before dinner. We watched TV, and didn't think about being bored, but after a while we hung upside down and watched it that way, or switched the channels back and forth or found reasons to fight with anyone in the house. (I was alone, however and could not indulge in this.) That's when we heard the strange noise of goats and bells. In the mothy gray of TV rooms, we pulled back the drapes, and peered out windows into a yellowed sunlight.

  The two Manmensvitzender girls in bright clothes the color of a circus, and gauzy scarves, one purple, the other red, glittering with sequins, came rolling down the street in a wooden wagon pulled by two goats with bells around their necks. That is how the trouble began. The news accounts never mention any of this; the flame of crab apple blossoms, our innocence, the sound of bells. Instead they focus on the unhappy results. They say we were wild. Uncared for. Strange. They say we were dangerous. As if life was amber and we were formed and suspended in that form, not evolved into that ungainly shape of horror, and evolved out of it, as we are, into a teacher, a dancer, a welder, a lawyer, several soldiers, two doctors, and me, a writer.

  Everybody promises during times like those days immediately following the tragedy that lives have been ruined, futures shattered but only Trina Needles fell for that and eventually committed suicide. The rest of us suffered various forms of censure and then went on with our lives. Yes, it is true, with a dark past but, you may be surprised to learn, that can be lived with. The hand that holds the pen (or chalk, or the stethoscope, or the gun, or lover's skin) is so different from the hand that lit the match, and so incapable of such an act that it is not even a matter of forgiveness, or healing. It's strange to look back and believe that any of that was me or us. Are you who you were then? Eleven years old and watching the dust motes spin lazily down a beam of sunlight that ruins the picture on the TV and there is a sound of bells and goats and a laugh so pure we all come running to watch the girls in their bright colored scarves, sitting in the goat cart which stops in a stutter of goat-hoofed steps and clatter of wooden wheels when we surround it to observe those dark eyes and pretty faces. The younger girl, if size is any indication, smiling, and the other, younger than us, but at least eight or nine, with huge tears rolling down her brown cheeks.

  We stand there for a while, staring, and then Bobby says, "What's a matter with her?"

  The younger girl looks at her sister who seems to be trying to smile in spite of the tears. "She just cries all the time."

  Bobby nods and squints at the girl who continues to cry though she manages to ask, "Where have you kids come from?"

  He looks around the group with an are-you-kidding kind of look but anyone can tell he likes the weeping girl, whose dark eyes and lashes glisten with tears that glitter in the sun. "It's summer vacation."

  Trina, who has been furtively sucking her thumb, says, "Can I have a ride?" The girls say sure. She pushes her way through the little crowd and climbs into the cart. The younger girl smiles at her. The other seems to try but cries especially loud. Trina looks like she might start crying too until the younger one says, "Don't worry. It's just how she is." The crying girl shakes the reigns and the little bells ring and the goats and cart go clattering down the hill. We listen to Trina's shrill scream but we know she's all right. When they come back we take turns until our parents call us home with whistles and shouts and screen doors slam. We go home for dinner, and the girls head home themselves, the one still crying, the other singing to the accompaniment of bells.

  "I see you were playing with the refugees," my mother says. "You be careful around those girls. I don't want you going to their house."

  "I didn't go to their house. We just played with the goats and the wagon."

  "Well all right then, but stay away from there. What are they like?"

  "One laughs a lot. The other cries all the time."

  "Don't eat anything they offer you."

  "Why not?"

  "Just don't."

  "Can't you just explain to me why not?"

  "I don't have to explain to you, young lady, I'm your mother."

  We didn't see the girls the next day or the day after that. On the third day Bobby,
who had begun to carry a comb in his back pocket and part his hair on the side, said, "Well hell, let's just go there." He started up the hill but none of us followed.

  When he came back that evening we rushed him for information about his visit, shouting questions at him like reporters. "Did you eat anything?" I asked. "My mother says not to eat anything there."

  He turned and fixed me with such a look that for a moment I forgot he was my age, just a kid like me, in spite of the new way he was combing his hair and the steady gaze of his blue eyes. "Your mother is prejudiced," he said. He turned his back to me and reached into his pocket, pulling out a fist that he opened to reveal a handful of small, brightly wrapped candies. Trina reached her pudgy fingers into Bobby's palm and plucked out one bright orange one. This was followed by a flurry of hands until there was only Bobby's empty palm.

  Parents started calling kids home. My mother stood in the doorway but she was too far away to see what we were doing. Candy wrappers floated down the sidewalk in swirls of blue, green, red, yellow, and orange.

  My mother and I usually ate separately. When I was at my dad's we ate together in front of the TV, which she said was barbaric.

  "Was he drinking?" she'd ask. Mother was convinced my father was an alcoholic and thought I did not remember those years when he had to leave work early because I'd called and told him how she was asleep on the couch, still in her pajamas, the coffee table littered with cans and bottles, which he threw in the trash with a grim expression and few words.

  My mother stands, leaning against the counter, and watches me. "Did you play with those girls today?"

  "No. Bobby did though."

  "Well, that figures, nobody really watches out for that boy. I remember when his daddy was in high school with me. Did I ever tell you that?"

  "Uh-huh."

  "He was a handsome man. Bobby's a nice looking boy too but you stay away from him. I think you play with him too much."

  "I hardly play with him at all. He plays with those girls all day."

  "Did he say anything about them?"

  "He said some people are prejudiced."

  "Oh, he did, did he? Where'd he get such an idea anyway? Must be his grandpa. You listen to me, there's nobody even talks that way anymore except for a few rabble rousers, and there's a reason for that. People are dead because of that family. You just remember that. Many, many people died because of them."

  "You mean Bobby's, or the girls?"

  "Well, both actually. But most especially those girls. He didn't eat anything, did he?"

  I looked out the window, pretending a new interest in our backyard, then, at her, with a little start, as though suddenly awoken. "What? Uh, no."

  She stared at me with squinted eyes. I pretended to be unconcerned. She tapped her red fingernails against the kitchen counter. "You listen to me," she said in a sharp voice, "there's a war going on."

  I rolled my eyes.

  "You don't even remember, do you? Well, how could you, you were just a toddler. But there was a time when this country didn't know war. Why, people used to fly in airplanes all the time."

  I stopped my fork halfway to my mouth. "Well, how stupid was that?"

  "You don't understand. Everybody did it. It was a way to get from one place to another. Your grandparents did it a lot, and your father and I did too."

  "You were on an airplane?"

  "Even you." She smiled. "See, you don't know so much, missy. The world used to be safe, and then, one day, it wasn't. And those people," she pointed at the kitchen window, straight at the Millers' house, but I knew that wasn't who she meant, "started it."

  "They're just a couple of kids."

  "Well, not them exactly, but I mean the country they come from. That's why I want you to be careful. There's no telling what they're doing here. So little Bobby and his radical grandpa can say we're all prejudiced but who even talks that way anymore?" She walked over to the table, pulled out a chair, and sat down in front of me. "I want you to understand, there's no way to know about evil. So just stay away from them. Promise me."

  Evil. Hard to understand. I nodded.

  "Well, all right." She pushed back the chair, stood up, grabbed her pack of cigarettes from the windowsill. "Make sure not to leave any crumbs. This is the time of year for ants."

  From the kitchen window I could see my mother sitting on the picnic table, a gray plume of smoke spiraling away from her. I rinsed my dishes, loaded the dishwasher, wiped the table, and went outside to sit on the front steps and think about the world I never knew. The house on top of the hill blazed in the full sun. The broken windows had been covered by some sort of plastic that swallowed the light.

  That night one flew over Oakgrove. I woke up and put my helmet on. My mother was screaming in her room, too frightened to help. My hands didn't shake the way hers did, and I didn't lie in my bed screaming. I put the helmet on and listened to it fly past. Not us. Not our town. Not tonight. I fell asleep with the helmet on and in the morning woke up with the marks of it dented on my cheeks.

  Now, when summer approaches, I count the weeks when the apple trees and lilacs are in blossom, the tulips and daffodils in bloom before they droop with summer's heat, and I think how it is so much like that period of our innocence, that waking into the world with all its incandescence, before being subdued by its shadows into what we have become.

  "You should have known the world then," my father says, when I visit him at the nursing home.

  We've heard it so much it doesn't mean anything. The cakes, the money, the endless assortment of everything.

  "We used to have six different kinds of cereal at one time," he raises his finger instructively, "coated in sugar, can you imagine? It used to go stale. We threw it out. And the planes. The sky used to be filled with them. Really. People traveled that way, whole families did. It didn't matter if someone moved away. Hell, you just got on a plane to see them."

  Whenever he speaks like this, whenever any of them do, they sound bewildered, amazed. He shakes his head, he sighs. "We were so happy."

  I cannot hear about those times without thinking of spring flowers, children's laughter, the sound of bells and clatter of goats. Smoke.

  Bobby sits in the cart, holding the reigns, a pretty dark-skinned girl on either side of him. They ride up and down the street all morning, laughing and crying, their gauzy scarves blowing behind them like rainbows.

  The flags droop listlessly from flagpoles and porches. Butterflies flit in and out of gardens. The Whitehall twins play in their backyard and the squeaky sound of their unoiled swings echoes through the neighborhood. Mrs. Renquat has taken the day off to take several kids to the park. I am not invited, probably because I hate Becky Renquat and told her so several times during the school year, pulling her hair, which was a stream of white gold so bright I could not resist it. It is Ralph Paterson's birthday and most of the little kids are spending the day with him and his dad at The Snowman's Cave Amusement Park where they get to do all the things kids used to do when snow was still safe, like sledding, and building snowmen. Lina Breedsore and Carol Minstreet went to the mall with their baby-sitter who has a boyfriend who works at the movie theater and can sneak them in to watch movies all day long. The town is empty except for the baby Whitehall twins, Trina Needles who is sucking her thumb and reading a book on her porch swing, and Bobby, going up and down the street with the Manmensvitzender girls and their goats. I sit on my porch picking at the scabs on my knees but Bobby speaks only to them, in a voice so low I can't hear what he says. Finally I stand up and block their way. The goats and cart stutter to a stop, the bells still jingling as Bobby says, "What's up, Weyers?"

  He has eyes so blue, I recently discovered, I cannot look into them for more than thirty seconds, as though they burn me. Instead I look at the girls who are both smiling, even the one who is crying.

  "What's your problem?" I say.

  Her dark eyes widen, increasing the pool of milky white around them. She looks at Bobby.
The sequins of her scarf catch the sun.

  "Jesus Christ, Weyers, what are you talking about?"

  "I just wanta know," I say still looking at her, "what it is with all this crying all the time, I mean like is it a disease, or what?"

  "Oh for Christ's sake." The goats' heads rear, and the bells jingle. Bobby pulls on the reigns. The goats step back with clomps and the rattle of wheels but I continue to block their path. "What's your problem?"

  "It's a perfectly reasonable question," I shout at his shadow against the bright sun. "I just wanta know what her problem is."

  "It's none of your business," he shouts and at the same time the smaller girl speaks.

  "What?" I say to her.

  "It's the war, and all the suffering."

  Bobby holds the goats steady. The other girl holds onto his arm. She smiles at me but continues to weep.

  "Well, so? Did something happen to her?"

  "It's just how she is. She always cries."

  "That's stupid."

  "Oh for Christ's sake, Weyers!"

  "You can't cry all the time, that's no way to live."

  Bobby steers the goats and cart around me. The younger girl turns and stares at me until, at some distance, she waves but I turn away without waving back.

  Before it was abandoned and then occupied by the Manmensvitzenders the big house on the hill had been owned by the Richters. "Oh, sure they were rich," my father says when I tell him I am researching a book. "But you know, we all were. You should have seen the cakes! And the catalogs. We used to get these catalogs in the mail and you could buy anything that way, they'd mail it to you, even cake. We used to get this catalog, what was it called, Henry and Danny? Something like that. Two guys' names. Anyhow, when we were young it was just fruit but then, when the whole country was rich you could order spongecake with buttercream, or they had these towers of packages they'd send you, filled with candy and nuts and cookies, and chocolate, and oh my God, right in the mail."